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Free for Commercial Use

Sans Superellipse Sako 3 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'FX Neofara' by Differentialtype, 'Neue Helvetica Paneuropean' by Linotype, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, sports branding, posters, packaging, display ui, sporty, urgent, modern, technical, confident, convey speed, maximize impact, retain clarity, modernize forms, slanted, compact, rounded corners, ink-trap hints, high impact.


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A heavy, right-slanted sans with compact proportions and a brisk, forward-leaning rhythm. Strokes are thick and largely monolinear, with squared-off terminals softened by rounded corners that give counters a superelliptical, rounded-rectangle feel. Curves and joins stay tight and controlled, with occasional small cut-ins and notches that suggest ink-trap-like shaping and help keep the interior spaces open at bold weights. Overall spacing reads slightly tight, emphasizing dense word silhouettes and strong horizontal momentum.

Best suited to short-to-medium display settings where punch and speed cues are desirable: sports and motorsport identities, promotional headlines, posters, product packaging, and bold interface moments like hero banners or section headers. It can work in larger paragraph settings for energetic editorial callouts, but its density and slant favor impactful emphasis over long-form reading.

The font projects speed and decisiveness, mixing a contemporary, engineered feel with a sporty, performance-oriented tone. Its bold slant and compressed forms create an assertive voice that feels built for motion, impact, and headline energy rather than quiet neutrality.

The design appears intended to deliver a fast, contemporary display voice by combining a strong italic stance with compact, rounded-rectangular construction. The shaping choices prioritize bold color on the page while preserving clarity through disciplined counters and strategic cut-ins at tight joins.

Diagonal stress is consistent across capitals, lowercase, and figures, producing a cohesive italic texture in paragraphs. Numerals and uppercase forms appear especially sturdy and blocky, while lowercase maintains legibility through open apertures and simplified shapes despite the weight.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸