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Free for Commercial Use

Sans Superellipse Idbop 11 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Halagar' by Letteralle, and 'Amsi Pro' and 'Amsi Pro AKS' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, punchy, retro, playful, impact, approachability, headline clarity, geometric cohesion, rounded corners, soft terminals, compact counters, blocky, sturdy.


Free for commercial use
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A heavy, block-forward sans with superelliptical construction: straight-sided strokes resolve into generously rounded corners, giving bowls and counters a rounded-rectangle feel rather than pure circles. Curves are broad and controlled, and apertures are relatively tight, producing compact internal spaces and a dense, poster-like rhythm. The lowercase sits high with short ascenders and descenders, while the overall silhouette stays clean and upright with uniform stroke presence and minimal modulation.

Best suited to short-form display settings where weight and presence are an advantage: headlines, posters, logotypes, packaging, and bold signage. It can work for brief supporting text in large sizes, but its tight counters and dense color are most effective when used for emphasis rather than long reading.

The tone is bold and approachable—more friendly than aggressive—thanks to the softened corners and steady, chunky shapes. It reads as energetic and attention-grabbing, with a hint of mid-century or editorial display flavor that feels at home in punchy headlines and graphic branding.

Designed to deliver maximum visual impact with a clean, modern sans foundation, softened by rounded-rectangle geometry. The intent appears to balance loud, condensed headline energy with friendly, approachable shapes that stay consistent across letters and numerals.

Round letters like O/C/G and the numerals lean into squarish, rounded geometry, which keeps lines looking solid and cohesive at large sizes. The overall spacing and proportions favor impact over delicacy, and the font maintains a consistent, no-nonsense texture across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸