Sans Superellipse Pidiv 4 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Artegra Sans' and 'Artegra Soft' by Artegra, 'Ephemera Egyptian' by Ephemera Fonts, 'Belle Sans' by Park Street Studio, 'Sans Beam' by Stawix, and 'Breuer Condensed' by TypeTrust (names referenced only for comparison).
Keywords: ui labels, app branding, signage, posters, headlines, modern, friendly, clean, functional, urban, space saving, clarity, modern branding, soft geometry, versatility, rounded, soft corners, compact, monoline, geometric.
A compact, monoline sans with rounded-rectangle construction and softly squared curves. Strokes maintain an even weight with minimal modulation, and terminals are generally blunt with rounded corners, giving counters a squarish, superelliptical feel. Proportions are condensed with tight, efficient letterforms, while spacing remains clear enough for continuous text. The lowercase shows simple, sturdy shapes with short ascenders/descenders and pragmatic detailing in forms like a, g, and t, reinforcing a utilitarian rhythm.
Works well for interfaces, navigation, and labels where compact width and sturdy strokes help maintain clarity. It also suits posters, wayfinding, and brand wordmarks that benefit from a contemporary, rounded-geometric voice. In longer passages it can perform in short editorial blocks or captions when a clean, compact texture is desired.
The overall tone is modern and approachable, pairing a technical, engineered structure with softened corners that keep it from feeling harsh. It reads as confident and contemporary, with a slightly industrial, signage-like character that still feels friendly in UI and editorial settings.
The design appears intended to deliver a space-efficient sans that stays highly legible while expressing a distinctive rounded-rect geometry. Its consistent stroke weight and softened corners suggest a goal of balancing modern utility with a friendlier, more approachable presence.
Round forms (C, O, Q, 0, 8) lean toward squared curves rather than true circles, creating a consistent “rounded box” skeleton across the set. Numerals are clear and sturdy, matching the letterforms’ compact stance and making the style well-suited to information-dense layouts.