Font Hero

Free for Commercial Use

Sans Superellipse Jirob 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Resiliency3' by Alphabet Agency, 'Stallman Round' by Par Défaut, and 'Exabyte' by Pepper Type (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, game ui, industrial, retro, techno, assertive, mechanical, space-saving impact, tech styling, signage punch, geometric consistency, condensed, blocky, angular, chamfered, squared-off.


Free for commercial use
Customize the font name

A heavy, condensed display sans built from compact, squared forms with rounded-rectangle counters and frequent chamfered corners. Strokes stay uniform and dense, with a strong vertical emphasis and tight apertures that create a solid, poster-like texture. Many terminals cut off with angled facets, and curves are minimized into superellipse-like bowls and rectangular openings, giving the alphabet a machined, stencil-adjacent rhythm. Figures and capitals read especially sturdy, with simplified geometry and compact proportions that maintain consistent weight across the set.

Best suited to headlines, titling, and branding where a compact, high-impact word shape is needed. It can work well for sports and event graphics, industrial or tech packaging, and game/interface labels that benefit from a rigid, mechanical voice. Use larger sizes (or generous tracking) for longer phrases to keep counters from closing in.

The overall tone is bold and utilitarian, blending retro-industrial signage with a techno, arcade-era feel. Its hard edges and compressed width communicate urgency and impact, while the rounded-rectangle construction keeps it cohesive and controlled rather than chaotic.

This design appears intended to deliver maximum impact in minimal horizontal space, using a consistent, engineered geometry. The rounded-rectangle skeleton paired with angled cuts suggests a deliberate balance between friendly modular forms and a hard, industrial finish.

In text settings the tight interior spaces and short apertures make the black mass prominent, so spacing and size choices strongly affect clarity. The distinctive chamfers and squared counters become a key identifying feature at headline sizes, where the geometric detailing is most legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸