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Sans Superellipse Ukbij 7 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Bricked' by Cristian Mielu, 'Karepe FX' by Differentialtype, 'Reksano' by Just Font You, 'Fresno' by Parkinson, 'Goodland' by Swell Type, 'TD Pobeda' by Tektov Dmitry Type, and 'Matricule 59' by designdefontes (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, sports branding, industrial, retro, assertive, condensed, utilitarian, space saving, high impact, signage clarity, modular geometry, squared, rounded corners, blocky, high contrast (mass), compact.


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A compact, heavy sans with tall, condensed proportions and squared, rounded-rectangle construction throughout. Strokes stay essentially uniform, producing a dense, monolithic color, while corners are consistently softened into small radii rather than sharp joins. Counters are tight and mostly rectangular, with a generally closed, vertical rhythm and minimal curvature. Terminals are blunt and straight, and many forms rely on simple verticals and right angles, giving the alphabet a modular, engineered feel.

Best suited to short, high-impact settings such as headlines, posters, packaging callouts, and signage where tight spacing and strong silhouette are assets. It can also work for logo wordmarks and team or event branding when a condensed, industrial voice is desired; for longer text, it performs best at larger sizes where the compact counters remain clear.

The overall tone is forceful and workmanlike, combining a retro display attitude with an industrial, signage-like directness. Its compressed width and solid weight project urgency and confidence, while the rounded corners keep it from feeling overly harsh.

The design appears intended to deliver maximum impact in minimal horizontal space, using a rounded-rectilinear construction to keep forms cohesive and highly repeatable. The consistent stroke weight and simplified geometry suggest a focus on bold display clarity and a strong, easily recognizable silhouette.

The uppercase set reads particularly tall and uniform, creating strong alignment and a rhythmic picket-fence texture in longer lines. Numerals follow the same squared, compact logic, matching the alphabet’s dense footprint and maintaining consistent visual weight across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸