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Free for Commercial Use

Sans Normal Omdig 13 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Conamore' by Grida, 'Mute' and 'Mute Arabic' by Indian Type Foundry, 'TheSans' by LucasFonts, 'Belle Sans' by Park Street Studio, 'Cinta' by Tipo Pèpel, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, modern, friendly, confident, clean, approachable, impact, clarity, approachability, modernity, rounded, geometric, smooth, sturdy, compact.


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This typeface is a heavy, rounded sans with smooth, geometric curves and minimal stroke modulation. Counters are open and broadly circular, while terminals are clean and largely vertical or horizontal, creating a stable, constructed feel. Proportions lean compact in the lowercase, with short extenders and broad, sturdy stems; the uppercase reads wide and even, with consistent spacing and a steady rhythm. Diacritics and punctuation shown (dots, apostrophe, ampersand, question mark) match the same solid, simplified construction, and numerals appear similarly robust with clear, uncomplicated shapes.

It performs best in display settings such as headlines, branding, posters, and packaging where the dense strokes and rounded forms can project clarity and impact. It can also work for short blocks of UI or signage text when a friendly but authoritative tone is desired, especially at larger sizes.

The overall tone is modern and friendly, with a confident, no-nonsense presence. Its rounded geometry and generous curves keep it approachable, while the dense weight gives it an assertive voice suited to attention-grabbing typography.

The letterforms suggest an intention to deliver a contemporary, geometric sans optimized for strong visual presence and easy recognition. The simplified, rounded construction appears designed to balance friendliness with punch, staying legible while looking polished and modern.

The design maintains a consistent circular logic across characters like C, G, O, Q, and the bowls of B/P/R, which helps the font feel cohesive in longer lines of text. Joins and diagonals (notably in K, V, W, X, Y) are crisp and straightforward, reinforcing a clean, contemporary rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸