Sans Normal Opnif 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Cosmos' by Berthold, 'Dean Gothic' by Blaze Type, and 'City Boys Soft' by Dharma Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, confident, friendly, clean, assertive, impact, clarity, modernity, approachability, simplicity, geometric, rounded, blocky, high-clarity, sturdy.
This typeface is a heavy, geometric sans with broad proportions and generously rounded curves. Strokes are thick and even, with clean terminals and minimal modulation, producing a solid, contemporary color on the page. Counters are relatively open for the weight, and circular forms (C, O, Q, e) read as smooth, near-elliptical shapes. The lowercase shows single-storey forms for a and g, a compact ear on g, and a straightforward, sturdy skeleton that stays consistent across letters and numerals.
It is well suited to headlines and display settings where strong impact and clarity are needed, such as posters, branding systems, packaging, and wayfinding or signage. The broad, rounded construction also makes it a good choice for short UI labels, promotional graphics, and social media typography when used at larger sizes.
The overall tone is modern and confident, with a friendly softness from the rounded bowls and open counters. Its weight and breadth give it an assertive, attention-getting presence that feels practical and contemporary rather than delicate or editorial.
The design appears intended to deliver a bold, geometric sans voice with approachable roundness—optimized for clear recognition and strong visual presence. It prioritizes simple, consistent shapes and robust stroke weight to maintain readability and authority in display use.
In text, the bold mass creates strong emphasis and a tight, punchy rhythm, making word shapes feel compact and highly legible at larger sizes. Diagonal letters like V, W, X, and Y appear sturdy and balanced, while the numerals maintain the same geometric, heavy construction for a unified typographic voice.