Sans Superellipse Magih 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Helvetica Now' by Monotype, 'Greater Neue' and 'Greater Neue Condensed' by NicolassFonts, and 'Glimp' and 'Glimp Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: logos, headlines, posters, packaging, kids, friendly, playful, chunky, retro, approachable, friendly impact, soft geometry, brand display, playful emphasis, rounded, soft corners, compact, stubby, bubbly.
A heavy, rounded sans with superelliptical construction and consistently softened corners. Strokes are thick and even, with compact counters and short, sturdy terminals that give letters a blocky, cushion-like silhouette. Curves and straight segments blend smoothly, creating a stable rhythm with minimal detailing; junctions are simplified and apertures are relatively tight, especially in letters like C, S, and e. Numerals and capitals follow the same rounded-rectangle logic, producing a cohesive, sign-like texture at display sizes.
Well suited to logos, short headlines, posters, and packaging where a bold, friendly impact is needed. It also fits playful UI moments (badges, callouts, buttons) and kid-oriented or casual lifestyle branding, especially when set large enough to keep its tighter apertures clearly legible.
The overall tone is warm and informal, with a cheerful, toy-like sturdiness. Its soft geometry and dense black shapes feel welcoming and a bit retro, leaning toward fun branding and casual emphasis rather than sober editorial neutrality.
Likely designed to deliver maximum visual weight with a soft, approachable feel, combining sturdy sign-lettering presence with rounded, contemporary geometry. The simplified shapes and tight counters suggest an emphasis on punchy display use and brandability over long-form reading.
Lowercase forms favor single-storey constructions (notably a and g), reinforcing the informal voice. The dot on i/j is round and prominent, and many glyphs show slightly squarish bowls (B, D, P, R, 0, 8) that maintain a consistent, cushiony presence across the set.