Sans Superellipse Gider 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Lobby Card JNL' by Jeff Levine, 'Evanston Alehouse' by Kimmy Design, 'Midfield' by Kreuk Type Foundry, 'NT Gagarin' by Novo Typo, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, sports branding, signage, packaging, industrial, athletic, assertive, utility, retro, maximum impact, geometric system, rugged clarity, brand presence, blocky, rounded, compact, squareish, sturdy.
A heavy, block-based sans with rounded-rectangle (superellipse) construction throughout. Strokes are uniformly thick with minimal modulation, and terminals are generally squared off while corners are softened, producing a compact, punchy silhouette. Counters tend to be small and often rectangular, with apertures kept tight; curves on letters like C, G, O, and S read as squarish rounds rather than true circles. The overall rhythm is dense and geometric, with robust verticals and straightforward joins that prioritize solidity over delicacy.
Best suited to display applications where impact and clarity are priorities, such as headlines, posters, apparel and sports branding, signage, and bold packaging. The dense shapes and tight apertures favor larger sizes, where the geometric detailing and rounded-square curves read crisply.
The font conveys a tough, no-nonsense energy with a sporty and industrial flavor. Its broad, compact forms feel commanding and mechanical, giving headlines a confident, utilitarian presence that can also nod to retro signage and team graphics.
The design appears intended to deliver maximum visual weight with a controlled, geometric system based on softened rectangles. It aims for a strong, modern-industrial voice that remains friendly enough through rounded corners while retaining a compact, high-impact footprint.
The figures are built with the same rounded-rectangle logic as the letters, creating strong consistency in mixed alphanumeric settings. Diagonals (such as in A, K, V, W, X, Y, Z) are cut cleanly and remain visually sturdy, while bowls and inner corners stay tight, emphasizing a rugged, engineered look at display sizes.