Sans Normal Juduh 4 is a regular weight, normal width, medium contrast, italic, normal x-height font visually similar to 'Moveo Sans' by Green Type; 'Impara' and 'Qubo' by Hoftype; 'Accia Flare' and 'Accia Sans' by Mint Type; 'Core Sans B', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Arlonne Sans Pro' by Sacha Rein; and 'Regan' by The Northern Block (names referenced only for comparison).
Keywords: ui labels, branding, posters, editorial, signage, clean, contemporary, dynamic, approachable, neutral, emphasis, clarity, modernity, readability, motion, oblique, monolinear, rounded, open apertures, humanist.
This typeface is an italic sans with smooth, rounded construction and a steady, largely monolinear stroke. Curves are generous and continuous, with open apertures and softly modeled terminals that keep counters clear. The slant is consistent across uppercase, lowercase, and numerals, producing a forward rhythm without sharp calligraphic contrast. Proportions feel balanced with a moderate x-height, compact ascenders, and legible, plainly drawn figures.
It suits interface labels, dashboards, and product UI where a clean italic is needed for emphasis or hierarchy. The forward slant also works well for branding, sports or tech-adjacent messaging, and short display lines in posters. In editorial settings, it can serve as an italic companion for pull quotes, headings, and callouts where clarity and momentum are desired.
The overall tone is modern and practical, with a friendly softness from the rounded forms and open counters. The italic angle adds motion and emphasis, reading as energetic rather than formal. It feels neutral enough for everyday communication while still conveying a subtle sense of speed and agility.
The design appears intended as a versatile italic sans focused on clarity and consistent rhythm, using rounded geometry and open counters to stay readable while providing a lively, forward-leaning voice.
Uppercase shapes stay straightforward and geometric-leaning, while the lowercase introduces slightly more humanist shaping, especially in rounded letters and the two-storey-style g. Numerals appear clear and workmanlike, with smooth curves and uncomplicated joins that maintain consistency with the letterforms.