Sans Superellipse Gumoj 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Bank Sans EF' by Elsner+Flake, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, athletic, condensed, impactful, modern, space saving, high impact, brand presence, modern utility, blocky, squared, rounded corners, sturdy, compact.
A compact, heavy sans with squared silhouettes softened by rounded corners and superelliptical curves. Strokes are consistently thick with minimal modulation, and counters tend to be small, giving the design a dense, poster-like color. Round letters such as O and C read as rounded rectangles, while joins and terminals are clean and blunt rather than tapered. The overall rhythm is tight and vertical, with short extenders and sturdy, rectangular punctuation and numerals that match the condensed texture.
Best suited to short, high-visibility text: headlines, posters, logotypes, sports graphics, packaging callouts, and bold UI labels where a compact, attention-grabbing line can carry the message. It can also work for signage-style applications when set large, where the dense forms and tight proportions read as intentional and authoritative.
The tone is forceful and utilitarian, projecting confidence and toughness more than delicacy. Its compressed shapes and solid weight evoke sports branding, industrial labeling, and high-impact headlines where immediacy matters. The rounded-square geometry adds a contemporary, engineered feel.
The design appears intended to deliver maximum impact in minimal horizontal space, using rounded-square geometry to keep the forms contemporary while maintaining a rugged, highly legible block structure at display sizes.
Uppercase forms feel especially uniform and modular, and the lowercase follows the same squared logic, creating a consistent, no-nonsense texture across mixed-case settings. The figures share the same blocky construction, supporting cohesive number-heavy layouts.