Font Hero

Free for Commercial Use

Sans Normal Ogfa 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Kirshaw' by Kirk Font Studio, 'Camphor' by Monotype, 'Hazelton' by Type Royal, and 'Hartwell' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, playful, impact, legibility, friendliness, modernity, brand voice, rounded, geometric, clean, chunky, soft corners.


Free for commercial use
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A heavy, rounded sans with compact counters and smooth, continuous curves paired with flat, confident terminals. Strokes are consistently thick and even, giving the alphabet a solid, poster-like color on the page. Round letters lean toward circular construction (O, C, G), while straight-sided forms (E, F, H, N) keep crisp edges and minimal modulation. Lowercase shapes are simple and sturdy, with a single-storey a and g, a short-armed r, and a broad, symmetrical m; punctuation-like dots are round and prominent. Numerals are similarly robust, with generous curves and stable, blocky silhouettes suited to display sizing.

This font performs best in display contexts where bold, rounded letterforms can carry a message quickly—headlines, posters, signage, and brand marks. Its sturdy figures make it suitable for price points, labels, and short numeric callouts, and its friendly tone fits consumer packaging and modern digital hero text.

The overall tone is upbeat and contemporary, with a friendly softness that keeps the weight from feeling aggressive. Its roundness and sturdy proportions read as approachable and energetic, lending a casual, brand-forward voice that still feels clean and controlled.

The design appears intended to deliver high-impact readability with a warm, geometric personality—combining simple construction, rounded forms, and strong weight to create an inviting, contemporary display sans.

The design emphasizes clear silhouettes and strong spacing rhythm, with relatively tight interior space in letters like B, P, and R that reinforces the dense, impactful texture. The uppercase set feels especially headline-oriented, while the lowercase maintains a straightforward, utilitarian simplicity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸