Sans Superellipse Usfa 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Miura' by DSType, 'Moveo Sans' by Green Type, 'Francker' and 'Francker Paneuropean' by Linotype, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, bold, friendly, sporty, retro, playful, impact, approachability, modern display, geometric clarity, rounded, soft corners, blocky, compact, high impact.
A heavy, rounded sans with broad proportions and superelliptical curves. Terminals and corners are softened into rounded-rectangle shapes, producing smooth, cushioned joins rather than sharp angles. Counters tend to be squarish and open, with sturdy horizontal strokes and simplified, geometric construction across the alphabet. Numerals and capitals read as solid, poster-like blocks, while lowercase forms maintain a sturdy rhythm with single-storey shapes and a generally even, consistent stroke treatment.
Best suited for display settings such as headlines, posters, branding marks, packaging, and bold signage where the rounded, blocky shapes can carry visual presence. It can also work for short UI labels or callouts when a friendly, high-impact tone is needed, but the heavy color makes it most effective above small text sizes.
The overall tone is confident and approachable: bold enough for attention-grabbing headlines, but softened by rounded geometry that feels friendly rather than aggressive. Its wide stance and inflated forms suggest a contemporary sporty or retro-display attitude, lending a playful, upbeat voice to short messages.
The font appears designed to deliver maximum impact while staying approachable, using rounded-rectangle geometry to create a strong, modern silhouette with a playful edge. Its consistent, simplified forms prioritize immediate recognizability and graphic punch in branding and display typography.
The design emphasizes clear silhouettes at large sizes, with generous interior space in rounded counters and a cohesive rounded-corner theme across letters and figures. Curved letters like C, G, S, and O lean toward superellipse-like contours, reinforcing a geometric, engineered character.