Font Hero

Free for Commercial Use

Sans Normal Kidej 7 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Helvetica Now' by Monotype, 'Arbeit Pro' and 'Few Grotesk' by Studio Few, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, advertising, sporty, energetic, modern, confident, urgent, impact, speed, modernity, emphasis, brand voice, oblique, geometric, clean, compact, streamlined.


Free for commercial use
Customize the font name

A slanted sans with sturdy, even strokes and rounded, geometric construction. Curves are smooth and circular, while diagonals feel crisp and decisive, producing a compact, forward-leaning rhythm. Apertures are relatively closed and counters stay tight in letters like a, e, and s, which helps maintain a dense, punchy texture in text. Terminals are clean and largely sheared to match the oblique angle, and the numerals share the same solid, simplified geometry for consistent color across mixed content.

Works best for headlines, posters, and short bursts of copy where a strong, fast-looking voice is desirable. It also suits branding for sports, fitness, automotive, and tech contexts, plus packaging and promotional graphics that need dense emphasis. For longer passages, it will be most comfortable at larger sizes with generous line spacing to offset the tight counters and compact texture.

The overall tone is assertive and kinetic, with a clear sense of forward motion from the strong oblique stance. It reads as contemporary and performance-oriented, lending a sporty, action-driven character without becoming decorative. The heaviness and compactness make it feel confident and attention-grabbing, suited to messaging that needs immediacy.

The design appears intended to deliver a modern, high-impact sans with an oblique stance that communicates speed and confidence. Its geometric curves and firm stroke weight prioritize a clean silhouette and strong presence, making it especially effective for attention-first display typography.

Spacing appears tuned for impact rather than airiness, creating a dark, unified typographic color at display sizes. The uppercase set feels especially blocky and stable, while the lowercase maintains a functional, simplified build that favors clarity over openness.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸