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Free for Commercial Use

Sans Superellipse Uknir 4 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'PODIUM Sharp' and 'POLIGRA' by Machalski, 'Grand' by North Type, 'Hype vol 3' by Positype, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, signage, industrial, condensed, authoritative, sporty, poster-ready, space saving, high impact, signage clarity, modern utility, blocky, squared, rounded corners, compact, high-impact.


Free for commercial use
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This typeface is built from dense, compact strokes with rounded-rectangle (superellipse) curves and softly eased corners. Counters are tight and mostly rectangular, and many joins are simplified into sturdy, monoline shapes that keep a consistent, mechanical rhythm. Uppercase forms are tall and compressed with a pronounced vertical emphasis, while the lowercase follows the same condensed logic with a relatively large x-height and minimal modulation. Numerals are similarly narrow and chunky, designed to hold their shape and stay legible at display sizes.

Best suited to headlines and short bursts of copy where maximum impact and compact width are useful—posters, event graphics, sports or fitness branding, packaging callouts, and signage-style applications. It can also work for UI labels or navigation where space is constrained, though its dense texture favors larger sizes over extended reading.

The overall tone is forceful and utilitarian, with a contemporary, industrial feel. Its compressed geometry reads assertive and functional—more like signage or equipment labeling than a conversational text face—while the rounded corners keep it from feeling harsh.

The design appears intended to deliver a strong, space-efficient display voice using rounded-rectangle construction. By prioritizing compact proportions, simplified counters, and sturdy terminals, it aims for high visibility and a modern, industrial character in attention-grabbing settings.

Spacing appears intentionally tight, reinforcing a packed, vertical texture in lines of text. The squarish rounds in letters like O/C/G and the blocky terminals create a consistent, engineered look that stays coherent across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸