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Free for Commercial Use

Serif Humanist Niha 2 is a regular weight, normal width, very high contrast, upright, short x-height font.

Keywords: posters, book covers, headlines, packaging, game titles, antiquarian, storybook, rustic, hand-inked, dramatic, period flavor, handmade effect, dramatic texture, display impact, antique print, roughened, textured, spiky, worn, ink-trap.


Free for commercial use
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This serif face shows sharply tapered, calligraphic forms with pronounced thick–thin modulation and crisp, wedge-like terminals. Strokes are intentionally irregular, with roughened edges and small nicks that suggest a distressed, inked impression rather than clean digital curves. Serifs are pointed and angular, often flaring or biting into the stem, and curves (notably in bowls and numerals) feel slightly uneven, adding a handmade rhythm. Capitals are strong and varied in footprint, while the lowercase appears compact with a relatively short x-height and lively ascenders/descenders that create a textured color in lines of text.

Best suited to display applications where texture and personality are desired: posters, book and album covers, product packaging, event graphics, and title treatments for games or film. It can work for short pull quotes or introductory text at larger sizes, but the distressed detailing and high contrast will generally favor headlines over long-form reading.

The overall tone is antique and theatrical, evoking old print ephemera, folklore titles, and gothic-leaning editorial moments. Its deliberate roughness reads as tactile and human, with a slightly ominous, mysterious edge that can also feel whimsical in the right context.

The design appears intended to reinterpret old-style, calligraphy-influenced serif proportions through a deliberately weathered, hand-printed lens, prioritizing atmosphere and period flavor over neutrality. The roughened contours and sharp terminals seem aimed at creating instant, recognizable character in display settings.

In the sample text, the dense texture and distressed detailing become more prominent, giving paragraphs a dark, gritty color and making spacing feel visually tight even at comfortable point sizes. The design’s character is driven as much by the irregular contouring and sharp terminals as by the serif structure itself.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸