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Sans Normal Niduz 8 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Fluro' by Kazer Studio, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'NeoGram' by The Northern Block, and 'Nimbus Sans' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, industrial, sporty, impact, clarity, modernity, approachability, display strength, clean, geometric, rounded, blocky, high impact.


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This typeface has a sturdy, heavy build with broad proportions and ample internal space in counters. Curves are smooth and fairly circular, while joins and terminals read as cleanly cut and largely squared off, giving forms a crisp, engineered finish. Uppercase shapes feel wide and stable, with round letters like O and C appearing generous and open; straight-sided letters maintain even stroke density and a consistent rhythm. In the lowercase, the forms are straightforward and uncluttered, with single-storey a and g and compact, functional details that keep the texture solid and legible at larger sizes. Numerals follow the same wide, robust construction, producing a cohesive, emphatic line of figures.

Well-suited to headlines, posters, and large-format communication where bold presence and quick readability are priorities. It can work effectively for branding systems that want a modern, approachable strength, as well as signage and packaging where wide, sturdy letterforms help maintain clarity at a glance.

The overall tone is assertive and contemporary, pairing a friendly roundness with a no-nonsense, built-for-use presence. It feels energetic and direct, suited to messaging that needs to land quickly and read clearly from a distance. The wide stance and solid color give it a confident, headline-forward voice.

The design intention reads as a contemporary, geometric sans aimed at delivering maximum impact with clean construction and broad, open shapes. Its forms prioritize immediacy and legibility while keeping a rounded, approachable character for modern visual identities.

Spacing appears comfortable for such heavy forms, helping keep counters from closing up and maintaining clarity in dense text. The wide proportions create a strong horizontal momentum in lines, which can be used to project stability and scale in layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸