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Serif Normal Mireg 2 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Geller' by Ludka Biniek (names referenced only for comparison).

Keywords: headlines, magazines, book covers, posters, branding, editorial, authoritative, formal, classic, literary, editorial impact, classic revival, premium tone, strong hierarchy, bracketed, beaked, crisp, sculpted, ball terminals.


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A high-contrast serif with strong vertical stress, crisp hairlines, and weighty, rounded main strokes. Serifs are sharply cut and often bracketed, with occasional beaked or wedge-like terminals that give the outlines a sculpted, engraved feel. Counters are generous and the overall color is dark and emphatic, while curves (notably in S, C, and G) show pronounced thick–thin modulation. Lowercase forms read traditional and steady, with sturdy bowls and clear differentiation in the numerals.

This face works best where strong hierarchy and a classic serif voice are needed—editorial headlines, magazine layouts, and book-cover titling. It also suits posters and brand wordmarks that aim for a traditional, premium tone. In longer passages it will read more assertive than neutral, making it a good choice for emphasis-heavy typography and pull quotes.

The font conveys a confident, traditional tone associated with established publishing and formal communication. Its dramatic contrast and sharp terminals add a sense of ceremony and seriousness, making it feel authoritative rather than casual. The overall impression is classic and editorial, with a slightly theatrical edge from the strong stroke modulation.

The design appears intended to deliver a conventional text-serif foundation with heightened contrast and confident weight for attention-grabbing settings. Its sharp, bracketed finishing and traditional proportions suggest a goal of evoking classic print typography while maintaining clarity and impact in modern layouts.

At display sizes the crisp hairlines and angular finishing details become especially noticeable, lending a refined, print-like character. The lining figures appear bold and clear, with distinct shapes that support strong typographic hierarchy alongside capitals and small text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸