Sans Superellipse Hagut 6 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Black Square' by Agny Hasya Studio, 'Block Capitals' by K-Type, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, branding, sports design, tech ui, techy, futuristic, industrial, assertive, sporty, impact, modernization, systematic, tech flavor, display strength, rounded corners, squared bowls, extended cap height, geometric, compact counters.
A heavy geometric sans built from squared forms with generously rounded corners, giving many glyphs a superellipse/rounded-rectangle footprint. Strokes are uniform and sturdy, with tight internal counters in letters like B, P, R, and 8, and broad, flat terminals that emphasize a machined look. The uppercase set is wide and blocky with simplified joins (notably in E, F, T, and Z), while lowercase maintains a tall, sturdy construction with a single-storey a and g and squared shoulders. Numerals follow the same system: 0 and 8 are rounded-rectangular, 1 is a simple vertical with minimal modulation, and 2–7 use angular, cut-to-fit geometry.
Best suited for headlines, posters, and brand marks where a strong geometric voice is desirable. It can also work for tech-oriented UI labels, packaging, and sports or gaming graphics, especially where compact, sturdy letterforms help maintain presence at moderate sizes.
The overall tone feels technical and engineered—confident, efficient, and contemporary. Rounded corners soften the aggression of the blocky structure, landing in a modern sci‑fi/sportswear zone that reads energetic without becoming playful.
The design intention appears to be a contemporary, systematized sans that prioritizes bold presence and visual consistency through rounded-rectangular geometry. It aims to evoke a modern technical aesthetic while remaining legible and structured in short text settings.
Spacing and shapes appear optimized for impact at display sizes: apertures are relatively closed and curves are largely replaced by softened corners, producing a compact, high-density texture in text lines. Diagonal strokes (V, W, X, Y) are clean and sharp, contrasting with the rounded-rectangle curves of C, G, O, and Q.