Sans Superellipse Omdaf 3 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Black River' by Larin Type Co, 'Antiquel' by Lemonthe, 'Brainy Variable Sans' by Maculinc, and 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, modern, industrial, utilitarian, confident, clean, space saving, high impact, functional clarity, modern system feel, condensed, geometric, rounded corners, sturdy, high contrast (shape).
A condensed sans with a compact stance, heavy proportions, and largely even stroke weight. Curves resolve into rounded-rectangle/superellipse forms, giving bowls and counters a squared-off roundness rather than true circles. Terminals are clean and blunt, with tight apertures and firm joins that create a dense, rhythmic texture in words. The numerals follow the same compact geometry, with closed forms staying robust and legible at display sizes.
Well-suited to headlines, posters, and branding where a compact, strong presence is needed without resorting to overt stylization. The condensed width makes it effective for signage, labels, and packaging where space is tight, while the sturdy shapes help maintain clarity in short UI labels or navigation elements.
The overall tone feels contemporary and workmanlike—direct, efficient, and slightly industrial. Its condensed massing and squared-round curves add a confident, no-nonsense character that reads as modern signage and system UI friendly rather than decorative.
Designed to deliver maximum impact in a narrow footprint, pairing superelliptical roundness with blunt, utilitarian construction. The intent appears to be a contemporary, space-efficient sans that stays consistent and authoritative across caps, lowercase, and numerals.
The lowercase shows a simple, functional construction with minimal modulation and a pragmatic feel in letters like a, e, and t. Round characters (o, c, g) keep the same superelliptical logic, helping lines of text look consistent and tightly packed. The set reads best when given enough size or tracking to prevent the dense counters from clogging in long passages.