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Free for Commercial Use

Sans Superellipse Noma 6 is a very bold, very wide, medium contrast, upright, normal x-height font visually similar to 'Midnight Sans' by Colophon Foundry, 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, and 'Makro' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, playful, chunky, friendly, retro, bold, impact, approachability, retro flavor, display clarity, brand presence, rounded, soft corners, blunt terminals, compact counters, low apertures.


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A heavy, wide sans with a superelliptical construction: strokes and bowls are built from rounded-rectangle geometry with softened corners and broadly flattened curves. Terminals are blunt and squared-off, and many forms use short, sturdy arms and tight joins that keep the silhouettes compact. Counters are relatively small for the weight, with low apertures in letters like C, S, and a, giving the design a dense, poster-like color. The numerals echo the same inflated, rounded-rect feel, with a smooth, continuous rhythm and minimal stroke modulation.

Best suited to bold headline settings such as posters, storefront signage, product packaging, and brand marks that benefit from a rounded, chunky presence. It can also work for short UI labels or badges where a friendly, high-impact voice is desired, especially at larger sizes.

The overall tone is confident and good-humored, with a cozy, toy-like heft that reads as approachable rather than aggressive. Its wide stance and rounded geometry lend a retro display energy, suited to attention-getting headlines that want to feel friendly and informal.

The font appears designed to deliver maximum impact with soft-edged, geometric shapes—combining a wide footprint and rounded-rectangle construction to create a distinctive, approachable display voice. It prioritizes strong silhouettes and a consistent superelliptical rhythm over fine detail for clear, characterful large-size typography.

The design leans on strong horizontals and vertically clipped curves, producing a distinctive “pillow” silhouette across rounds and diagonals. Spacing appears generous enough for large sizes, while the dense counters and heavy ink gain suggest it will look best where its shapes can breathe (headlines rather than long text).

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸