Sans Faceted Syri 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Neumonopolar' and 'Nue Archimoto' by Owl king project, 'Reload' by Reserves, and 'Apice' by Stefano Giliberti (names referenced only for comparison).
Keywords: headlines, posters, logos, sports, packaging, industrial, retro, arcade, sporty, tough, impact, signage, machined look, display clarity, retro gaming, angular, chamfered, octagonal, blocky, high-contrast counters.
A heavy, all-caps-forward sans with aggressively chamfered corners and faceted construction that replaces curves with straight cuts. Strokes are consistently thick, with geometric, octagonal counters (notably in O/0) and compact apertures that create a dense, punchy color on the line. The lowercase follows the same hard-edged logic, reading more like a scaled, simplified companion to the caps than a calligraphic set, with single-storey forms and squared terminals. Numerals are sturdy and sign-like, with angled notches and flattened joins that keep the overall silhouette crisp and mechanical.
Best suited to display settings such as headlines, posters, team or event graphics, bold branding marks, and packaging where impact and a technical edge are desired. It can also work for UI badges, game titles, and short labels where the chunky, faceted shapes remain clear.
The sharp facets and bold silhouettes evoke utilitarian signage, athletic lettering, and arcade-era display aesthetics. Its tone feels assertive and rugged, leaning into a constructed, machined character rather than friendliness or delicacy.
The letterforms appear designed to maximize visual impact through simplified geometry and repeated chamfers, creating a cohesive, industrial display voice. The consistent faceting suggests an intent to mimic cut metal, stenciled signage, or arcade/sports titling while keeping forms straightforward and highly legible at larger sizes.
The design relies on repeated diagonal cuts at corners and joins, producing a consistent octagonal rhythm across the set. Tight internal spaces and squared shoulders make it best when given adequate tracking and size, where the faceting reads as intentional detail rather than crowding.