Sans Other Tipy 1 is a very light, normal width, monoline, upright, normal x-height font visually similar to 'Exabyte' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, logotypes, ui display, branding, techno, futuristic, geometric, minimal, sci‑fi display, geometric reduction, digital aesthetic, constructed forms, angular, squared, modular, wireframe, open counters.
A geometric, angular sans built from straight strokes and crisp corners, with occasional 45° chamfers that create a faceted, constructed feel. Many forms rely on squared bowls and open or partially open counters (notably in several uppercase letters), giving the alphabet an airy, schematic rhythm. Curves are largely avoided in favor of rectilinear geometry; junctions are clean and consistent, and diagonals appear sparingly as sharp, structural cuts. Overall spacing and widths vary by glyph, reinforcing a modular, assembled look while keeping the texture light and even.
Best suited for headlines, logos, packaging accents, and tech-forward branding where the angular, open geometry can be a feature rather than a distraction. It can work for UI labels, wayfinding, and on-screen display at larger sizes, especially in contexts that benefit from a digital or schematic tone.
The design reads as technical and futuristic, evoking digital signage, wireframe interfaces, and retro arcade or sci‑fi titling. Its sparse, open construction feels clinical and engineered rather than expressive or organic, projecting a cool, modern tone.
The letterforms appear designed to translate a sans skeleton into a modular, straight-line system with minimal curvature, prioritizing a constructed, futuristic voice. The open counters and chamfered details suggest an intention to look engineered and display-oriented, balancing legibility with a distinctive, stylized structure.
The font’s identity comes from its deliberate incompleteness—strategic gaps and open terminals that suggest stenciling or segmented display logic without becoming a true stencil. Numerals and capitals share the same rectilinear system, keeping a cohesive, grid-like aesthetic that stays legible in short bursts while becoming visually distinctive in longer settings.