Sans Superellipse Ogdun 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Nusara' by Locomotype, 'Core Gothic M' and 'Core Sans M' by S-Core, and 'Geon' by cretype (names referenced only for comparison).
Keywords: headlines, ui labels, posters, branding, signage, friendly, modern, confident, approachable, clean, soft geometry, strong clarity, friendly utility, modern branding, rounded, soft corners, compact, monoline, geometric.
A heavy, geometric sans with rounded-rectangle construction and softly squared curves throughout. Strokes are largely monoline with minimal modulation, producing a dense, even texture in text. Counters are compact and often squarish (notably in C, G, O, e), while terminals are blunt and rounded, giving a sturdy, engineered feel. Proportions are slightly compact with generous cap height, and the overall rhythm is tight and consistent across uppercase, lowercase, and figures.
Best suited to display and short-to-medium text where strong presence and clarity are needed, such as headlines, posters, packaging, and brand wordmarks. The rounded geometry also makes it effective for UI labels, dashboards, and wayfinding where a friendly but assertive tone is desired.
The rounded, superelliptical shapes give the face a friendly and contemporary tone, while the weight and compact spacing add confidence and impact. It reads as practical and approachable rather than delicate or formal, with a subtle “tech” cleanliness that still feels warm.
The design appears intended to blend geometric clarity with softened corners for a modern, approachable sans that maintains strong impact. Its compact counters and consistent stroke width suggest a focus on steady texture and robust legibility in contemporary graphic and interface settings.
Distinctive details include a squared shoulder and foot on several lowercase forms, a straightforward single-storey style for a, and clean, simple figures with rounded corners. Diacritics shown (i/j dots) are squared and sturdy, reinforcing the font’s blocky-soft personality.