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Free for Commercial Use

Sans Superellipse Otbez 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'FS Joey' and 'FS Joey Paneuropean' by Fontsmith, 'Nusara' by Locomotype, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: headlines, branding, signage, posters, ui labels, confident, modern, friendly, direct, utilitarian, display impact, brand voice, geometric clarity, approachable strength, rounded, blocky, compact, even, sturdy.


Free for commercial use
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A heavy, rounded sans with superelliptical curves and broadly squared counters that give letters a softly blocky silhouette. Strokes are uniform and dense, with flat-ish terminals and minimal modulation, producing a steady, matte texture. The uppercase has wide, stable shapes with rounded corners (notably in C, G, O, and Q), while the lowercase is compact with straightforward constructions and a single-storey g. Numerals are similarly robust and geometric, designed to sit firmly on the baseline with clear, wide forms.

Best suited for headlines, packaging, and brand systems that want a solid, modern sans with approachable rounded geometry. It can also work well for signage and UI labels where punchy, high-contrast-on-background word shapes and quick recognition are priorities, especially at medium-to-large sizes.

The overall tone is contemporary and pragmatic, with a friendly softness from the rounded geometry. It feels assertive and highly legible, leaning toward a functional, brand-ready voice rather than expressive or calligraphic character.

Likely designed to deliver a strong, contemporary sans voice built from superelliptical forms—combining the authority of a heavy weight with softened corners for approachability. The consistent geometry suggests an emphasis on clarity, repeatable shapes, and a distinctive rounded-rect identity for display-oriented typography.

Rhythm is tight and efficient: bowls and apertures are controlled, and the rounded-rectangle logic stays consistent across letters and figures. The font reads especially well at larger sizes, where its broad counters and softened corners become a defining visual signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸