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Sans Normal Lobur 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Peridot Devanagari' and 'Peridot Latin' by Foundry5, 'Chesna Grotesk' by Horizon Type, 'Candid' by Lucas Tillian, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, energetic, assertive, playful, retro, impact, motion, bold branding, friendly strength, headline clarity, slanted, rounded, chunky, compact, smooth.


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A heavy, right-slanted sans with rounded, inflated counters and smoothly curved bowls that keep the texture soft despite the mass. Terminals are mostly blunt and clean, with a consistent stroke presence and minimal modulation, creating a strong, even color in text. Proportions feel slightly condensed in places, and the slant plus tight joins produce a forward-leaning rhythm. Numerals and lowercase echo the same rounded geometry, with bold, compact forms designed to hold together at display sizes.

Best suited to display typography where impact is the priority: headlines, posters, title cards, and promotional graphics. It also fits energetic brand systems such as sports, streetwear, and youth-focused packaging, and can work well in short logo or wordmark applications where a bold, rounded italic voice is desired.

The overall tone is loud and kinetic, with a friendly, sporty attitude that reads as confident rather than formal. The rounded forms add warmth and approachability, while the aggressive weight and slant give it urgency and motion. It suggests poster energy and brand punch, with a lightly retro, headline-driven feel.

Likely designed to deliver maximum visual impact with a fast, forward-leaning stance while keeping forms friendly through rounded geometry. The combination of strong mass and smooth curves aims to stay legible and cohesive in big, attention-grabbing settings.

The italic construction is integral rather than a simple oblique: curves, joins, and diagonals all reinforce the forward motion. The generous interior shapes help maintain clarity, though the dense weight can close up in smaller sizes or tight spacing. Uppercase forms feel particularly suited to emphatic, compact wordmarks and short statements.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸