Sans Superellipse Abmah 1 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Nusara' by Locomotype, 'Core Gothic M' and 'Core Sans M' by S-Core, and 'Geon' and 'Geon Soft' by cretype (names referenced only for comparison).
Keywords: ui text, product design, signage, headlines, brand systems, clean, modern, neutral, friendly, techy, clarity, versatility, system feel, geometric identity, legibility, geometric, superelliptical, rounded, crisp, even.
A clean sans with superelliptical construction: round letters are built from rounded-rectangle curves rather than pure circles, producing slightly flattened bowls and a steady, engineered rhythm. Strokes are monolinear and consistent, terminals are clean and largely straight-cut, and curves transition smoothly without calligraphic modulation. Proportions are balanced with open counters and clear apertures, while the lowercase shows compact, simple forms (single-storey a and g) and numerals that feel sturdy and evenly spaced.
This font is well suited to interface typography, product UI, and general-purpose brand systems where clarity and consistency are priorities. Its sturdy numerals and even texture also work well for dashboards, labels, and informational graphics, while the clean shapes scale nicely for concise headings and wayfinding-style signage.
The overall tone is modern and straightforward, with a subtly friendly feel from the rounded geometry. It reads as practical and dependable rather than expressive, suggesting a contemporary, system-like voice suited to utilitarian communication.
The design appears intended to provide a neutral, contemporary sans built on rounded-rectilinear geometry, prioritizing legibility and an orderly texture. It aims for a versatile voice that feels current and technical, without drawing attention away from the content.
Large sizes look especially crisp due to the firm verticals and controlled curvature. The superellipse-based rounds give an identifiable geometric flavor without becoming overly rigid, helping the face stay readable in longer text while still feeling designed.