Sans Superellipse Peraz 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY' by Andrew Footit, 'Friend Or Foe BB' by Blambot, 'Bystone' by GraphTypika, 'Chamferwood JNL' by Jeff Levine, 'Block Capitals' by K-Type, 'Radley' by Variatype, 'Hockeynight Sans' by XTOPH, and 'Manifest' by Yasin Yalcin (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, sturdy, industrial, sporty, friendly, impact, clarity, modernization, robustness, rounded, blocky, compact, punchy, high impact.
A heavy, rounded-rectangle sans with squared counters and softened corners throughout. Strokes are thick and even, with a compact, slightly condensed feel in many letters and generally short apertures that keep shapes dense. Curves resolve into superelliptical bowls (notably in C, G, O, Q, and the lowercase o-family), while straight-sided letters (E, F, H, N) emphasize a firm, engineered rhythm. Terminals are blunt, crossbars are broad, and the numerals follow the same boxy, softened geometry for a consistent, sign-like texture.
This font is well suited to bold headlines, posters, and promotional graphics where a compact, high-impact word shape is desirable. It can also work effectively for packaging, team or event branding, and signage systems that benefit from sturdy, rounded geometry and clear, consistent letterforms at larger sizes.
The overall tone is confident and utilitarian, balancing toughness with approachability due to the rounded corners. It reads as contemporary and sporty, with a poster-ready presence that feels direct and no-nonsense rather than delicate or expressive.
The design appears intended to deliver maximum visual weight and clarity using a rounded-rectilinear construction, prioritizing solidity and consistency across letters and numerals. Its softened corners suggest an aim to temper an industrial, blocky structure with a more approachable, modern finish.
Uppercase forms are notably monumental and uniform, while the lowercase keeps the same squared-bowl logic, producing a cohesive set for display and short text. The dense apertures and heavy joins create a strong black footprint, making spacing and line breaks feel impactful in settings and headlines.