Sans Superellipse Gimas 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bricbrac' by Nootype and 'Computechnodigitronic' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, playful, retro, chunky, friendly, punchy, display impact, friendly geometry, retro flavor, brand presence, rounded, soft corners, squared curves, compact, high contrast (mass).
A heavy, rounded-rectangular sans with soft corners and broadly squared curves. Strokes are consistently thick and even, with large counters and minimal contrast, creating solid black shapes that hold together at display sizes. Terminals tend to be blunt and squared-off, while bowls and arches are built from superellipse-like geometry, giving letters a compact, blocky rhythm. The lowercase shows single-storey forms and simplified constructions (notably the a and g), reinforcing a clean, geometric silhouette across the set.
Best suited to headlines, branding, packaging, and signage where strong silhouettes and a uniform, geometric texture are desirable. It performs well in short bursts—titles, badges, labels, and UI feature callouts—where its compact forms and rounded blocks can carry personality without requiring delicate detail.
The overall tone is upbeat and approachable, with a distinctly retro, arcade-signage energy. Its chunky geometry feels sturdy and confident, while the rounded corners keep it friendly rather than aggressive. The font reads as bold and graphic, designed to make statements rather than fade into the background.
Likely intended as a bold, geometric display sans that combines sturdy, rectangular structure with softened corners for friendliness. The simplified lowercase and consistent stroke weight suggest an emphasis on quick recognition and strong impact in large-scale applications.
Distinctive superelliptical O/0 shapes and squared inner counters create a strong, consistent texture in lines of text. The numerals are wide and stable with generous interior space, matching the letters’ rounded-block construction. Tight apertures in some letters add density, producing a compact, poster-like color when set in paragraphs.