Sans Superellipse Gimib 5 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Outlast' by BoxTube Labs, 'Future Bugler Upright' by Breauhare, 'EFCO Growers' by Ilham Herry, 'Plau' by Plau, and 'Propane' by SparkyType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, retro, industrial, friendly, confident, techy, impact, modernization, approachability, clarity, rounded, squared, compact, chunky, geometric.
A heavy, rounded-rectilinear sans with squared counters and smoothly radiused corners. Strokes are consistently thick, giving a solid, monolithic color on the page, while apertures stay open enough to preserve legibility at display sizes. Curves resolve into superellipse-like arcs rather than true circles, and many joins and terminals are blunt or softly cut, reinforcing a constructed, modular feel. The lowercase is compact and sturdy, with simple forms, short-to-moderate extenders, and punctuation that reads as robust blocks rather than delicate marks.
Best suited to headlines and short text where strong presence is desired—posters, packaging, signage, title cards, and bold brand marks. Its dense weight and squared rounding also work well for UI accents, labels, and badges where clarity and punch matter more than delicate typographic nuance.
The overall tone is bold and good-humored, combining a retro sign-painting vibe with a modern, tech-forward cleanliness. It feels assertive and practical rather than elegant, with a playful softness coming from the rounded corners and squared geometry. The texture suggests utility and impact—designed to be seen quickly and remembered.
The design intent appears to be a high-impact geometric sans that stays approachable: a sturdy, modular construction softened by rounded corners and generous internal shapes. It aims for instant recognition and consistent texture across letters and numerals, optimized for bold display communication.
Round letters like O and Q lean toward rounded-rectangle silhouettes, and several glyphs emphasize verticality with straight stems and minimal modulation. Numerals follow the same blocky logic, producing a cohesive, poster-ready set with strong rhythm in all-caps and mixed-case settings.