Sans Normal Vedof 7 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Rotis II Sans' by Monotype, 'Greater Neue' by NicolassFonts, and 'Alber New' by moretype (names referenced only for comparison).
Keywords: branding, headlines, posters, packaging, sportswear, sporty, dynamic, friendly, modern, casual, convey motion, increase impact, friendly modernity, display emphasis, rounded, slanted, soft, compact, energetic.
This typeface is a slanted sans with compact, rounded forms and a sturdy, even stroke. Curves are smooth and generously radiused, with terminals that feel softened rather than sharply cut. Counters are relatively open for the weight, and the overall rhythm is lively, with a forward-leaning posture and slightly condensed letterfit that keeps words tight and impactful. Numerals match the letterforms in heft and curvature, maintaining a consistent, cohesive texture in text.
It performs best where a compact, energetic voice is needed—brand marks, short headlines, promotional graphics, packaging callouts, and sports or lifestyle applications. In longer settings it can still work for brief blurbs or punchy subheads, especially when you want a strong, animated texture rather than a quiet reading tone.
The overall tone is energetic and approachable, balancing punchy emphasis with friendly roundness. Its forward slant suggests motion and momentum, giving it a sporty, active feel without becoming aggressive. The shapes read as contemporary and informal, suited to upbeat, everyday communication.
The design appears intended to deliver bold, motion-driven emphasis in a clean sans structure, using a consistent slant and rounded geometry to stay friendly and modern. It prioritizes visual impact and momentum while keeping forms simple and legible at display sizes.
Uppercase forms show simplified, geometric construction with softened corners, while lowercase maintains clear differentiation (notably the single-storey-style, rounded silhouettes and distinct descenders). Diacritics aren’t shown, but punctuation and basic figures in the sample feel visually aligned with the same rounded, forward-leaning logic.