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Stencil Ukta 6 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Bebas Neue Pro' by Dharma Type (names referenced only for comparison).

Keywords: posters, headlines, branding, sportswear, packaging, industrial, tactical, urgent, sporty, retro, impact, marking, utility, motion, ruggedness, condensed, slanted, oblique, compressed, blocky.


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A condensed, right-slanted sans with heavy, uniform strokes and a distinctly segmented construction. Most glyphs are cut by consistent stencil breaks—often as narrow vertical gaps—creating clear bridges while keeping the overall silhouettes intact. The forms are compact with tight internal counters, squared terminals, and a forward-driving rhythm; diagonals and joins are simplified for a sturdy, utilitarian look. Numerals and capitals share the same narrow proportions and repeated cut pattern, reinforcing a cohesive, engineered texture in lines of text.

Best suited to short, bold applications such as posters, headlines, logotypes, apparel graphics, and packaging where the segmented texture can be part of the identity. It also works well for industrial-themed or tactical-inspired labels and large-format signage, especially when set with generous tracking and strong contrast against the background.

The overall tone feels industrial and mission-oriented, like markings on equipment, crates, or signage where speed and impact matter. The oblique stance adds motion and urgency, while the repeated breaks give a manufactured, utilitarian character that reads as rugged and functional rather than refined.

The design appears intended to merge a compact, high-impact oblique sans with a consistent stencil logic, producing strong silhouettes that still read clearly when cut for practical or thematic effect. The emphasis is on repeatable construction and graphic presence, prioritizing punch and a manufactured feel in display typography.

The stencil interruptions are frequent and prominent, creating a striped cadence that becomes a major visual motif at display sizes. In longer settings, the repeated cuts can dominate the texture, so careful sizing and spacing choices help preserve legibility and avoid visual chatter.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸