Sans Superellipse Figum 14 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Surt' by Blaze Type; 'Gunterz' by Locomotype; 'Otoiwo Grotesk' by Pepper Type; 'Hype Vol 1', 'Hype vol 2', and 'Hype vol 3' by Positype; and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, energetic, modern, assertive, techy, impact, speed, modernity, approachability, consistency, oblique, rounded corners, soft geometry, compact apertures, squared curves.
A heavy, oblique sans with broad proportions and a superelliptical construction: curves read as rounded rectangles rather than perfect circles, giving bowls and counters a squared-soft feel. Strokes are consistently thick with minimal contrast, and terminals are clean and blunt, keeping the texture dense and even. The overall fit is wide and confident, with compact apertures and smooth joins that favor a controlled, engineered rhythm over calligraphic nuance. Numerals match the letterforms with sturdy, rounded geometry and clear, blocky silhouettes.
This font performs best in short to medium-length display settings where its wide, heavy forms can deliver instant recognition—headlines, branding wordmarks, posters, and packaging. Its energetic slant and dense texture also suit sports and tech-adjacent graphics, UI hero text, and promotional lockups where a modern, assertive voice is desired.
The tone is bold and forward-leaning, projecting speed and momentum through its strong slant and wide stance. Rounded-square curves add a contemporary, technical friendliness, while the weight and tight interior spaces keep it punchy and emphatic. Overall it feels sporty and modern, suited to messaging that wants impact without sharp aggression.
The design appears intended to combine high-impact weight with a sleek, forward motion, using superelliptical geometry to keep the forms clean, contemporary, and visually consistent. It aims for a strong display presence that remains approachable through softened corners and controlled, engineered curves.
The oblique angle is pronounced enough to read as dynamic display typography, yet the shapes remain highly regular and systematic. Round letters like O/C/G retain a squarish curvature, which helps maintain consistent color across mixed-case settings and makes the design feel more geometric than humanist.