Sans Superellipse Ogdek 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Geogrotesque Sharp' by Emtype Foundry, and 'Navine' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, modern, confident, sporty, friendly, impact, clarity, modernity, approachability, rounded corners, blocky, compact, geometric, softened.
A heavy, block-leaning sans with superelliptical construction: strokes and counters read as rounded rectangles with consistently softened corners. Curves are tight and controlled, producing squarish bowls in C, O, and Q, while horizontals and verticals maintain an even, low-modulation rhythm. The lowercase is compact with a sturdy x-height presence, and terminals tend to finish flat, giving the forms a clean, engineered feel. Numerals are wide and robust, with the 0 and 8 especially showing the font’s rounded-rectangle logic and dense counters.
Best suited to short-form, high-impact settings such as headlines, posters, signage, and brand marks where dense, bold shapes need to read quickly. It can also work in packaging and UI display contexts when a sturdy, geometric voice is desired, though its weight and compactness make it less ideal for extended small-size text.
The overall tone is assertive and contemporary, combining the authority of a heavy grotesque with a friendlier, softened geometry. It feels practical and workmanlike rather than delicate, suggesting reliability, impact, and straightforward communication.
The font appears designed to deliver maximum visual impact through broad strokes and superelliptical geometry, balancing strict, engineered structure with softened corners for approachability. The consistent rounding across bowls and terminals suggests an intention to create a cohesive, contemporary display sans that remains clear and stable in bold applications.
The design’s personality comes largely from its systematic corner rounding and squarish curvature, which keeps letterforms stable at large sizes while remaining readable. Spacing appears tuned for headline use, with dense silhouettes that hold together as strong typographic blocks.