Sans Superellipse Ogdov 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bari Sans' by JCFonts, 'PT Filter' by Paavola Type Studio, 'Nuber' and 'Nuber Next' by The Northern Block, and 'Ddt' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, friendly, sturdy, techy, confident, impact, clarity, modernity, approachability, systematic, rounded, squarish, geometric, compact, monoline.
A heavy, geometric sans with rounded-rectangle construction throughout. Curves resolve into softened corners rather than true circles, producing squared bowls in letters like O, D, P, and lowercase o. Strokes are monoline and consistent, terminals are blunt, and counters are generous but boxy, giving a compact, high-impact silhouette. Uppercase forms are broad and stable, while lowercase maintains a straightforward, utilitarian rhythm with minimal modulation and tightly controlled apertures.
Best suited to display typography where strong presence and clean geometry are desirable, such as headlines, posters, branding systems, packaging, and signage. It can also work for short UI labels or navigation elements when a sturdy, rounded-tech voice is needed, but its heavy color favors larger sizes over long reading.
The overall tone is contemporary and approachable, combining a friendly softness from the rounded corners with a solid, assertive weight. Its squared curves and compact forms suggest a tech-forward, industrial sensibility that still reads warm rather than austere.
Likely designed to deliver a robust, contemporary sans voice built from superellipse-like rounds, balancing friendliness with durability. The consistent stroke and squared bowls aim for a distinctive, systematized look that remains highly legible and visually uniform across letters and numbers.
Numerals follow the same rounded-rect geometry, with simplified, blocky forms that prioritize clarity at display sizes. The sample text shows even color and strong word shapes, with emphasis coming from mass and geometry rather than contrast or calligraphic cues.