Sans Faceted Abdil 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Bric Sans' by Nootype and 'Nue Archimoto' by Owl king project (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, sporty, techy, assertive, utilitarian, impact, precision, ruggedness, modernity, systematization, chamfered, angular, blocky, octagonal, condensed feel.
A heavy, geometric sans with consistently thick strokes and prominent chamfered corners that replace most curves with angled facets. Counters tend toward octagonal shapes, and terminals are cut flat or diagonally, producing a crisp, engineered silhouette. The uppercase is broad and sturdy with squared construction, while the lowercase keeps the same faceted logic with simple, compact forms and short-to-moderate extenders. Numerals follow the same cut-corner geometry for a uniform, systematized texture.
Best suited to display contexts where its angular construction can be appreciated: headlines, brand marks, packaging, and bold labels. It also works well for signage or UI moments that need a tough, technical feel, especially in short phrases and numerals.
The overall tone is rugged and mechanical, with a no-nonsense presence that reads as industrial and sporty. Its hard angles and clipped curves suggest machinery, signage, and equipment labeling, giving it a tech-forward, utilitarian personality.
The design appears intended to translate traditional sans skeletons into a faceted, cut-metal aesthetic, prioritizing impact and a consistent geometric system over softness or calligraphic nuance. The goal is a compact, high-contrast silhouette that signals strength and precision in contemporary graphic applications.
The faceting creates strong edge contrast against the page and a rhythmic pattern of repeated angled cuts, especially noticeable in round letters and bowls. At smaller sizes the angular counters and tight interior spaces can visually thicken, while at display sizes the distinctive chamfers become the main stylistic signature.