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Free for Commercial Use

Serif Normal Fimad 2 is a bold, wide, high contrast, italic, normal x-height font visually similar to 'Georgia Pro' by Microsoft and 'Georgia' by Microsoft Corporation (names referenced only for comparison).

Keywords: headlines, editorial, book jackets, magazines, branding, classic, formal, confident, dramatic, editorial impact, classic tone, display emphasis, tradition nod, bracketed, calligraphic, oldstyle figures, ink-trap feel, open counters.


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A slanted serif with pronounced stroke modulation and crisp, bracketed serifs that taper to sharp terminals. The letterforms show a calligraphic stress and a lively, slightly compressed rhythm inside otherwise generous widths, with strong thick–thin transitions on curves and diagonals. Lowercase features include a single-storey a and g, compact joins, and rounded bowls with open counters; the dot on i/j is round and prominent. Numerals appear oldstyle (with varying heights and descenders), matching the text-like color and adding a traditional, bookish cadence.

This style is well suited to headlines, decks, pull quotes, and other editorial display roles where a bold, classic italic can carry tone and hierarchy. It also fits book jackets and brand marks that want a traditional serif voice with added momentum, and it can work for short text passages where a darker, more emphatic texture is desirable.

The overall tone is traditional and assertive, with an editorial seriousness that reads as established and slightly theatrical. The slant and high-contrast detailing add energy and sophistication, suggesting prestige and a confident voice rather than casual friendliness.

The design appears intended to deliver a classic serif presence with heightened contrast and an energetic italic posture, balancing readability with a pronounced, stylish silhouette. Its oldstyle numerals and calligraphic stress suggest a deliberate nod to traditional publishing conventions while remaining attention-grabbing in display settings.

At text sizes the strong modulation and sharp terminals create a dark, emphatic texture; in larger sizes the fine serifs and curved terminals become a key stylistic feature. The italic angle is consistent and the forms feel intentionally sculpted rather than mechanically obliqued, giving the design a cohesive, authored character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸