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Free for Commercial Use

Sans Superellipse Gulim 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Kelson' by Armasen, 'Ciutadella' by Emtype Foundry, 'Moderna Condensed' by Los Andes, 'Vinila' by Plau, 'Palestina' by Tipo, and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, confident, industrial, friendly, punchy, modern, impact, clarity, approachability, modern utility, brand presence, rounded, blocky, compact, heavy, geometric.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and broadly squared curves. Strokes are uniform and dense, with large counters that stay open even at tight interior joins. Terminals are blunt and softly rounded, and curves transition with a superelliptical feel rather than true circles. The lowercase is sturdy and simple, with a single-storey “a” and “g,” and overall spacing reads slightly tight, creating a solid, billboard-like rhythm in text.

Best suited to headlines, posters, and short, high-impact statements where weight and clarity are priorities. It also fits packaging, labels, and bold brand marks that benefit from rounded geometry and a compact, sturdy footprint. In longer text, it will create a strong, dark color, so it works best at larger sizes or with generous leading.

The overall tone is bold and straightforward, combining industrial strength with approachable rounded corners. It feels modern and utilitarian, with a friendly softness that keeps the heavy weight from becoming harsh. The texture in paragraphs is dark and emphatic, making the voice assertive and attention-seeking.

Designed to deliver maximum presence with simple, rounded-rectilinear forms that remain legible and consistent across letters and numbers. The softened corners suggest an aim for approachability while preserving a strong, industrial backbone for display use.

Capitals are tall and blocky with minimal modulation, and round letters like O/Q/C keep a squared-off oval silhouette. Numerals match the same chunky, squared geometry, reinforcing a consistent, sign-ready presence. The diagonal letters (K, V, W, X, Y) are crisp and angular, contrasting nicely with the rounded bowls elsewhere.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸