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Free for Commercial Use

Sans Superellipse Gukoy 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Imago W1G' by Berthold, 'Clinica Pro' by Mint Type, and 'Gunar' and 'Nuber Next' by The Northern Block (names referenced only for comparison).

Keywords: headlines, branding, posters, packaging, signage, confident, friendly, industrial, modern, playful, impact, approachability, clarity, modernity, robustness, rounded, blocky, soft corners, compact, sturdy.


Free for commercial use
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This typeface uses heavy, compact letterforms built from rounded-rectangle geometry, with broadly squared counters and softened corners throughout. Strokes are consistently thick with minimal modulation, producing an even, poster-ready color on the page. Curves tend toward superelliptical shapes (notably in O/C/G and the bowls of b/p/q), while joins and terminals stay blunt and sturdy rather than tapered. The lowercase is straightforward and legible, with simple, closed apertures and a single-storey a and g; punctuation-like details such as the i/j dots appear as solid, rounded squares.

Best suited to headlines, logos, packaging, and bold interface moments where high impact and clear silhouettes matter. It will also work well for short blocks of display text in posters and signage, where the dense, rounded shapes maintain clarity and personality.

The overall tone is bold and approachable: assertive in weight and presence, yet softened by rounded corners and friendly proportions. It reads as contemporary and utilitarian, with a subtly playful, chunky rhythm that suits attention-grabbing messaging without feeling sharp or aggressive.

The design intention appears to be a highly legible, high-impact display sans that replaces sharp geometry with softened, superelliptical forms. It aims for a modern, robust look that stays friendly and accessible, emphasizing solid shapes, consistent stroke weight, and strong typographic presence.

The design favors broad, rectangular counters and tight internal spaces, which increases impact at larger sizes. Diagonals (V/W/X/Y) are wide and stable, and numerals follow the same rounded-rectangular logic for a cohesive, sign-like feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸