Sans Superellipse Jere 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Manufaktur' by Great Scott, 'Stallman' and 'Stallman Round' by Par Défaut, 'Amboy' by Parkinson, and 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, game ui, industrial, techno, sporty, retro arcade, assertive, impact, digital feel, brand stamp, modular system, display clarity, square-rounded, blocky, modular, geometric, compact.
A heavy, block-based sans with squared counters and softly rounded outer corners, giving most forms a rounded-rectangle (superellipse-like) footprint. Strokes stay consistently thick with minimal modulation, and terminals are blunt and orthogonal. Curves are largely constructed from straight segments with eased corners, creating angular bowls and squared apertures across both cases. The rhythm is compact and sturdy, with tight interior spaces and clear, grid-like construction that keeps letterforms visually uniform while allowing some width variation between glyphs.
Best suited for large-size applications where its dense shapes and squared counters can read cleanly: headlines, posters, packaging, and punchy logo wordmarks. It also fits UI titles and labels in games or tech interfaces, as well as sports and event graphics that benefit from a strong, compact, high-impact presence.
The overall tone is bold and mechanical, balancing a utilitarian, industrial feel with a playful retro-digital edge. Its chunky geometry reads confident and energetic, with a game UI / scoreboard flavor that feels contemporary but rooted in classic arcade and tech branding aesthetics.
The design appears intended to deliver maximum impact through a modular, rounded-rect geometry that stays consistent across letters and numbers. It prioritizes a constructed, machine-made voice and high visual solidity, aiming for immediate recognition and a distinctive techno-industrial character in display settings.
Distinctive rectangular counters and notched joins give many glyphs a chiseled, engineered look, and the numerals follow the same squared, modular logic for strong consistency. The lowercase maintains the same blocky voice as the uppercase rather than switching to more calligraphic or humanist shapes, reinforcing a cohesive, constructed system.