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Free for Commercial Use

Serif Other Tomo 11 is a regular weight, very narrow, medium contrast, upright, normal x-height font.

Keywords: posters, book covers, editorial headlines, brand marks, packaging, vintage, theatrical, quirky, literary, poster-ready, compact impact, vintage flavor, expressive headline, distinct identity, flared serifs, condensed, high-waisted, ink-trap feel, bracketed.


Free for commercial use
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This typeface is a condensed serif with tall proportions, a firm vertical stress, and subtly modulated strokes. Serifs read as small, flared wedges with slight bracketing, giving terminals a carved, print-like finish rather than a clean modern cut. Many forms show gentle swelling through the stems and narrow internal counters, creating a rhythmic “pinched” silhouette in rounds like O and Q. The lowercase is compact and sturdy, with a narrow, slightly calligraphic logic in joins and terminals; numerals follow the same tall, compressed stance for consistent color in mixed settings.

It performs best in display contexts where its condensed height and flared serif detailing can be appreciated: posters, book and album covers, editorial headlines, packaging, and wordmarks. It can also work for short subheads or pull quotes when a distinctive, vintage-leaning serif voice is desired.

Overall, it conveys a vintage, theatrical tone—somewhere between old playbills, pulp-era display typography, and bookish headline lettering. The narrow stance and tapered serifs add a slightly eccentric, characterful voice that feels intentional and decorative without becoming chaotic.

The design appears intended to offer a compact, space-saving display serif with a period-inspired, print-crafted feel. Its tapered terminals and idiosyncratic curves aim to add personality and memorability to headlines while maintaining a coherent, readable rhythm.

Distinctive details—such as the pronounced Q tail and the stylized, curved spur and terminal treatments—give words a recognizable texture at display sizes. Spacing and shapes suggest it’s meant to create a strong vertical cadence, with tight counters and lively curves helping it stay legible despite the condensed build.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸