Sans Superellipse Haduv 15 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Interval Next' by Mostardesign, 'Jindo' by Nine Font, 'Mynor' by The Northern Block, and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: headlines, logos, branding, packaging, ui titles, friendly, modern, confident, playful, techy, brand impact, approachability, clarity, modernity, geometric consistency, rounded corners, soft terminals, geometric, compact apertures, high legibility.
This typeface is a heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Curves are smooth and uniform, with low modulation and a sturdy, even stroke that reads clearly at display sizes. Counters tend to be squarish and compact, and apertures are relatively tight, giving the letters a dense, punchy rhythm. The lowercase shows single-storey forms (notably the a and g), a simple vertical-stem i/j with round dots, and generally straightforward, engineered shapes; numerals follow the same rounded, monoline logic with broad, stable silhouettes.
It performs best in headlines, logo wordmarks, brand systems, and packaging where a strong, friendly geometric presence is desirable. The solid shapes and simplified lowercase also suit short UI labels, app headers, and promotional graphics that need a contemporary, approachable impact.
The overall tone is approachable and contemporary, combining a friendly softness from the rounded corners with a confident, utilitarian heft. It feels at home in tech-forward and product-minded contexts while still reading casual and upbeat due to its simplified, geometric forms.
The design appears intended to deliver a modern geometric sans with softened, rounded-rectangle forms—balancing bold visibility with a friendly, product-oriented character. Its consistent, simplified construction suggests a focus on clarity and recognizability in prominent, brand-facing settings.
Wide internal curves and rounded joins help maintain clarity despite the tight apertures, while the squared-off counters create a distinctive “superelliptical” texture across words. The stroke endings are clean and minimally expressive, keeping the voice modern and controlled rather than decorative.