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Free for Commercial Use

Sans Superellipse Hagas 2 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Gomme Sans' by Dharma Type, 'ITC Handel Gothic' and 'ITC Handel Gothic Arabic' by ITC, 'Glint' by Pesic, and 'Obvia Expanded' by Typefolio (names referenced only for comparison).

Keywords: branding, headlines, posters, ui, signage, techy, modern, confident, clean, friendly, geometric clarity, display impact, ui utility, modern branding, rounded, squared, geometric, sturdy, compact terminals.


Free for commercial use
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A heavy, geometric sans with rounded-rectangle construction throughout, combining straight stems with generously radiused corners and soft transitions. Counters tend toward squarish superellipse shapes, and curves read as controlled arcs rather than fully circular bowls. Strokes are even and monolinear, with broad horizontals and verticals that create a stable, blocky rhythm. The lowercase has a prominent x-height and compact apertures, while capitals are wide and firmly proportioned. Numerals share the same squared-round logic, with clear, solid forms designed to hold up at display sizes.

This font suits brand wordmarks, packaging, and tech-forward identities where a sturdy geometric voice is desirable. Its even stroke weight and squared-round counters make it effective for headlines, posters, and signage, and the large x-height supports short UI labels and interface typography when set with adequate spacing.

The overall tone is contemporary and engineered, with a friendly smoothness from the rounded corners. It feels confident and utilitarian—more product-and-interface minded than expressive or calligraphic—suggesting precision, clarity, and a slightly futuristic cleanliness.

The likely intention is to deliver a bold, modern sans that merges geometric rigidity with rounded comfort—using superellipse-like curves to feel both precise and approachable. It aims for strong presence and high legibility in display contexts while maintaining a consistent, systematized shape language across letters and numerals.

The design emphasizes rectangular geometry: bowls, terminals, and joins repeatedly resolve into softened corners, producing consistent texture in both all-caps and mixed-case settings. The punctuation and spacing in the sample text support a dense, headline-ready color that stays orderly even at large sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸