Sans Superellipse Okgim 7 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Knockout' by Hoefler & Co., 'Masifa Rounded' by Hurufatfont, 'Amfibia' and 'Karibu' by ROHH, and 'Gineso' and 'Gineso Titling' by insigne (names referenced only for comparison).
Keywords: ui, signage, packaging, posters, logotypes, modern, friendly, industrial, confident, utility, clarity, robustness, branding, system design, modernization, rounded corners, soft terminals, geometric, compact, sturdy.
A sturdy geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are heavy and even, with minimal modulation, producing dense, solid counters and a compact overall color on the page. Curves tend toward superelliptical bowls rather than true circles, and many joins and terminals finish with squared-off ends that are subtly radiused. Letterforms read cleanly with straightforward structure, while proportions feel slightly condensed and vertically emphatic, especially in the numerals and uppercase.
Works well for UI labels, navigation, and dashboards where a firm silhouette and consistent stroke weight help hold up at medium to large sizes. It also suits signage, packaging, and poster headlines that benefit from a compact, high-impact texture. The rounded geometry makes it a strong option for contemporary logotypes and brand wordmarks seeking a robust but friendly voice.
The tone is contemporary and utilitarian with an approachable softness. Its blocky geometry and rounded corners suggest engineered clarity—confident and matter-of-fact—while avoiding a harsh or technical chill. Overall it feels suitable for modern interfaces and branded systems that want strength without aggression.
Likely designed to deliver an efficient, contemporary sans with a distinctive rounded-rectangle skeleton—prioritizing solidity, clarity, and a cohesive geometric theme across letters and numerals. The softened corners appear intended to humanize the heavy construction while maintaining a clean, engineered rhythm.
Diagonal forms (like V/W/X/Y) keep a firm, almost cut-out silhouette, and the punctuation and dots appear square-like rather than circular, reinforcing the rectilinear theme. The lowercase shows a simple, workmanlike construction with compact apertures in letters like e and a, contributing to the strong, dark texture in running text.