Sans Normal Obrev 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Molsaq Latin' and 'Molsaq Pro' by Abjad, 'Prenton RP' by BluHead Studio, and 'Acorde' by Willerstorfer (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, retro, punchy, playful, impact, approachability, display strength, brand voice, retro warmth, rounded, soft corners, stout, blocky, compact.
A heavy, rounded sans with stout proportions and softly curved corners that keep the overall texture friendly despite the mass. Bowls and counters are compact, creating dense black shapes and a tight internal rhythm, while terminals tend to finish bluntly rather than sharply. The lowercase shows single-storey forms (notably the a and g), with short-to-moderate ascenders and descenders and generally broad, stable silhouettes. Numerals and capitals read as sturdy and geometric, with slight optical rounding that reduces harshness at large sizes.
Best suited to headlines and display work where its weight and compact counters can deliver impact quickly. It also works well for branding, packaging, and signage that benefits from a friendly, chunky sans presence. For extended reading, it will be most comfortable at larger sizes where counters and spacing have room to breathe.
The tone is bold and upbeat, combining a straightforward, no-nonsense presence with a warm, slightly retro softness. It feels promotional and approachable rather than technical, with an energetic, attention-grabbing voice suited to bold statements.
The design appears intended to provide a robust, highly legible display voice with rounded geometry that softens the heaviness. It prioritizes immediacy and personality—big shapes, compact interiors, and a consistent rhythm—aimed at contemporary branding and punchy editorial display.
In paragraph-like sample text the density is high, so spacing and compact counters create a strong headline color that can feel tight at smaller sizes. The forms stay consistent across the alphabet, emphasizing rounded geometry and weight uniformity over delicate detailing.