Sans Faceted Aslu 3 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Judgement' by Device, 'EFCO Growers' by Ilham Herry, 'Stallman Round' by Par Défaut, 'Interrupt Display Pro' by T4 Foundry, and 'Sharpix' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, military, poster, retro, impact, compactness, machined look, signage clarity, graphic punch, angular, chamfered, blocky, condensed, octagonal.
A compact, heavy display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Strokes are consistently thick with minimal contrast, and counters are rectangular or polygonal, giving letters a carved, stencil-like solidity without actual breaks. The proportions are tight and tall, with squared terminals and frequent 45° chamfers on outer corners and joins, producing a rhythmic, architectural texture across lines. Numerals and capitals maintain the same faceted construction, with the round forms (C, O, Q, S) rendered as octagonal silhouettes for a uniform, hard-edged color.
Well-suited to headlines, posters, and short bursts of copy where strong presence is needed. It also fits sports and team graphics, industrial or tactical-themed branding, packaging titles, and bold signage applications that benefit from compact width and hard-edged shapes.
The overall tone feels tough and utilitarian, with a disciplined, engineered sharpness. Its compact weight and faceted geometry evoke signage, uniforms, and equipment markings—assertive, no-nonsense, and built for impact rather than subtlety.
The design appears intended to deliver a rugged, space-efficient display voice by translating traditional sans structures into a faceted, chamfered system. By standardizing corners and avoiding curves, it emphasizes impact, uniformity, and a machined aesthetic that stays consistent across caps, lowercase, and figures.
The dense letterfit and large interior cuts make the face read best at larger sizes, where the polygonal counters and chamfers stay distinct. In longer text, the repeating verticals and tight spacing create a strong, continuous texture that can feel intense and attention-grabbing.