Sans Faceted Vodo 1 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Fact' by ParaType, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).
Keywords: posters, sports branding, headlines, logos, packaging, industrial, athletic, retro, tough, techy, impact, ruggedness, signage, display, branding, octagonal, chamfered, blocky, angular, compact.
This typeface is built from chunky, faceted strokes with chamfered corners that replace curves with crisp planar cuts. Counters and bowls tend toward octagonal shapes (notably in C, G, O, Q, and 0), creating a consistent geometric rhythm across caps, lowercase, and numerals. The lowercase follows a mostly single‑storey, block-constructed approach with short ascenders/descenders and square terminals, while punctuation-like details (such as the i/j dots) appear as solid blocks. Overall spacing reads sturdy and compact, with strong horizontal emphasis and simplified interior apertures.
Best suited to display settings where bold, faceted letterforms can do the heavy lifting: posters, headlines, team/athletic branding, logo wordmarks, and packaging that needs a rugged, engineered feel. It also works well for short UI labels or badges when a strong industrial voice is desired, though longer text will read most comfortably with generous size and spacing.
The faceted construction and heavy, hard-edged silhouettes project an industrial and athletic tone—confident, rugged, and impact-first. Its geometry evokes stamped metal, sports uniforms, and arcade-era display lettering, giving it a retro-tech attitude without feeling playful or delicate.
The design appears intended to translate a geometric, chamfered construction into a straightforward sans framework, prioritizing punchy silhouettes and consistent polygonal counters. Its letterforms aim for immediate recognition and a durable, fabricated aesthetic, making it ideal for branding and titles that need a tough, machine-cut impression.
Distinctive angular decisions show up in the diagonals and joins (K, R, X, Y), which are cut as straight planes rather than smooth transitions. The numerals share the same chamfered vocabulary; 8 and 0 are especially emblematic with polygonal counters, and 1 is a simple, monolithic stroke that reinforces the utilitarian feel. In paragraph samples, the density is high and word shapes become strongly rectangular, emphasizing the font’s signage-like presence.