Sans Superellipse Usfe 1 is a very bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, packaging, techy, sporty, industrial, confident, futuristic, impact, modernity, brandability, mechanical feel, display clarity, squared, rounded, blocky, stencil-like, compact.
A heavy, block-built sans with rounded-rectangle bowls and corners, producing a squarish, superelliptical geometry throughout. Strokes are consistently thick with clean, mostly orthogonal joins, and curves tend to resolve into softened corners rather than true circular arcs. Counters are relatively small and often rectangular (notably in O, P, R, and 8), giving a dense, high-impact texture. The lowercase follows the same modular construction, with single-storey forms (a, g) and a sturdy, rectilinear rhythm; terminals are generally flat, and the t is simple and compact. Numerals are wide and sturdy with distinctive, squared inner apertures, maintaining the same rounded-corner logic as the letters.
Best suited to display roles where impact and silhouette matter: headlines, posters, wordmarks, team or esports identities, product and packaging labels, and UI moments that need a strong, industrial voice. It can work for short callouts or navigation labels, but the dense counters suggest using generous sizing and spacing for maximum clarity.
The overall tone is assertive and engineered, with a contemporary, performance-oriented feel. Its squared curves and dense counters evoke technology, machinery, and sports branding, reading as bold and purposeful rather than delicate or editorial.
The font appears designed to deliver a modern, high-impact voice built from rounded rectangles—combining strict, mechanical structure with softened corners for approachability. Its consistent, modular shapes suggest an intention to be highly recognizable in branding and bold display typography.
The design’s rounded-square construction creates strong logo-like silhouettes and clear word shapes at larger sizes, while the tight internal spaces and heavy mass can make long passages feel dark if set small. Diacritics and punctuation aren’t shown; the visible ampersand matches the same chunky, modular styling.