Sans Superellipse Poruk 6 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Dx Slight' by Dirtyline Studio, 'Factual JNL' by Jeff Levine, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sports, industrial, compressed, assertive, poster, space saving, high impact, display utility, industrial tone, condensed, blocky, geometric, rectilinear, sturdy.
A condensed, heavy sans with tall proportions and a distinctly rectilinear construction. Curves resolve into rounded-rectangle corners rather than true circles, giving bowls and counters a squared-off, superellipse feel. Strokes maintain an even thickness with minimal modulation, and terminals are blunt and clean, producing a strong vertical rhythm. The lowercase is compact with short extenders and a tall x-height, while counters stay narrow and tightly controlled; overall spacing reads tight and efficient, reinforcing a stacked, column-like texture in text.
Best suited to display settings where space is limited but presence is required—headlines, posters, signage, packaging, and bold brand marks. It also fits sports or industrial-themed graphics that benefit from compact width and strong vertical emphasis; in long paragraphs it will read dense, so it’s most effective for short bursts of text.
The overall tone is bold and utilitarian, with a slightly retro, industrial flavor that feels built for impact. Its compressed geometry conveys urgency and decisiveness, reading loud and confident in headlines while maintaining a disciplined, engineered character.
The design appears intended to deliver maximum visual weight in minimal horizontal space, using a squared-rounded geometric language to stay clean and contemporary while nodding to condensed wood-type and industrial display traditions. Its consistent stroke and blunt terminals prioritize impact, repeatable rhythm, and straightforward readability at larger sizes.
Several shapes emphasize sharp interior joins and narrow apertures, which heightens the condensed, high-density texture. Numerals follow the same sturdy, squared-round logic and appear designed to hold up at larger sizes where their narrow counters remain legible.