Sans Superellipse Doduj 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FS Silas Sans' by Fontsmith; 'Carnac', 'Carnas', 'Epoca Pro', 'Orgon', and 'Orgon Plan' by Hoftype; and 'Dalle' by Stawix (names referenced only for comparison).
Keywords: ui text, app design, signage, packaging, presentations, clean, friendly, modern, approachable, neutral, legibility, approachability, modernization, neutral branding, rounded, soft terminals, open counters, geometric, monoline.
A rounded, monoline sans with superelliptical curves and gently squared-off rounds that give bowls and counters a soft-rectangular feel. Strokes are even and calm, with mostly blunt, softly radiused terminals and minimal modulation. Proportions read balanced and pragmatic: circular forms like O/Q are slightly squared in their curvature, while straight-sided letters (E, F, L, T) keep crisp horizontals and verticals without sharp corners. Lowercase forms are simple and workmanlike, with single-storey a and g, compact shoulders, and open apertures that keep word shapes clear at text sizes.
This design suits UI and product typography where a clean, friendly voice is needed without sacrificing legibility. It should work well for onboarding screens, dashboards, wayfinding and labeling, as well as modern packaging and general-purpose editorial callouts where a soft geometric sans helps keep the tone approachable.
The overall tone is contemporary and unpretentious, leaning friendly through its rounded geometry while staying neutral enough for everyday interface and brand use. Its softened corners and steady rhythm suggest approachability and clarity rather than sharp technicality or overt personality.
The font appears intended as a general-purpose modern sans that blends geometric structure with softened superelliptical rounding, aiming for clear legibility and a welcoming, contemporary texture across headings and short-to-medium text.
The numerals follow the same rounded-rectangle logic, with clear distinctions and a straightforward, utilitarian feel. Diagonals (V, W, X, Y) are clean and steady, and the punctuation in the sample text appears restrained, supporting a tidy reading texture.